Day two was an incredible journey through poetry, film, and music—each moment reminding us of the power of storytelling in all its forms.
The day opened with moving spoken word performances from talented artists born and raised in Kenya’s refugee communities. K2 the Poet, who grew up in the Kakuma Refugee Camp, performed “I’m in Love with a Kenyan Lady” and “Status,” a bold piece about identity and belonging. Another performer, Bey, delivered “I’m the Change I Hope to See,” a poem filled with hope and conviction that “the future is here.” Their words set the tone for a day built around resilience, creativity, and transformation.
Next came a lineup of refugee films that told powerful and diverse stories. “The Name Without a Country” by Sofia Nyaga Rwach, “It’s the Way I See Myself” by Susana, and “Katin” by Fardoussa captured audiences with emotional depth and raw honesty. Katin, in particular, told the haunting story of a cursed necklace that led a young girl into darkness before a Quran exorcism saved her. Each film carried a distinct message about identity, struggle, and healing.
The Film Directing Masterclass led by Mugambi Nthiga was a major highlight. He shared his journey as both an actor and director, reflecting on his first feature film “Lusala” (2019), which he described as a “nightmare” to direct but a defining learning experience. Mugambi also discussed his work on acclaimed films like “Kati Kati” and “Supa Modo” (both now on Netflix), offering guidance on directing techniques, ADR (additional dialogue recording), and the realities of funding in African cinema. His openness about the creative process offered valuable lessons for emerging filmmakers.
Audiences then enjoyed a diverse mix of international screenings—“A Hundred (100)” by Arome from Nigeria, “Liminal Tides” by Pinxuan Ye, “Jozi: I Write My Story”, and “QQ” by Erfan Nikhabaht—each exploring unique perspectives across cultures.
The Music and Film Intersection Masterclass by Sidede Ibrahim, a renowned sound designer with over 50 projects across Africa, took the audience deeper into how sound drives emotion and storytelling. He shared how he approached “Impure”, a film about a 12-year-old girl navigating stigma around her first period, and how sound design can communicate female resilience in subtle, powerful ways. His session blended practical sound tips with creative insight on using music to elevate emotion.
Following that came screenings of “Fears Are Chains”, the moving story of Emmanuel, and “Fields of Dust and Dreams”, about Al Mansour United Football Club, both showcasing human endurance and hope.
Later, Chloe Genga of LBX Africa and Bigger Motion led a deep dive into film distribution in Africa—addressing funding gaps, access barriers, and the importance of building regional collaboration to strengthen the African film ecosystem.
Adding a creative touch to the day’s events was a vibrant Ornaments & Collectibles Pop-Up Shop, featuring handmade crafts, film-inspired keepsakes, and cultural souvenirs from local artisans. The pop-up brought color, culture, and community together—celebrating the artistry that connects storytelling and design.
The night closed with an unforgettable musical showcase by Karun. Her soulful voice and acoustic performance carried warmth and emotion through songs like “Pen and Paper” and “Wondering Why” featuring M.anifest. Her presence lit up the stage and left the audience in awe.
Day two reminded everyone why the FilmAid Kenya Festival stands as a platform for voices that matter—stories that heal, art that inspires, and music that unites.
All eyes now turn to tonight’s Awards Gala, where creativity takes center stage once again.
